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The Monday Morning Memo

Eli gave us a poem in Portuguese by Manoel de Barros.
We translated it into English with the help of Google.

The Boy Who Carried Water in a Sieve

I have a book about waters and boys.
I like best the boy
who carried water in a sieve.

His mother told him that carrying water in a sieve

Was to rob the wind and
run show it to his brothers.

His mother said it was the same as
to pick thorns from the water.
The same as to breed fish in the pocket.

The boy liked oddities.

He tried to set the foundation of a house upon dew.
His mother noticed the boy
liked emptiness more
than fullness.
He said that emptinesses were bigger
and some were infinities.

In time the boy
became moody and strange
because he liked to carry water in a sieve.

In time he discovered that writing would be
the same as carrying water in a sieve.

As he wrote, the boy saw
he was able to be
a novice, monk or beggar
at the same time.

The boy learned to use the words.
Saw he could do mischief with the words.
And he began doing mischief.

He was able to interrupt a bird’s flight
by putting a period at the end of a sentence.

He was able to modify the afternoon by putting rain in it.

The boy did miracles
Even making a stone bloom!

The mother noticed the boy with tenderness.

The mother said:
“My son you will be a poet.
You will carry water in a sieve your whole life.

You will fill the
emptinesses with your mischief

and some people
will love you for your oddities.”

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Random Quote:

“‘The regular ways of looking at Frost’s poetry,’ the poet Randall Jarrell wrote in 1953, ‘are grotesque simplifications, distortions, falsifications.’ In 1959, at the poet’s 85th birthday dinner, Lionel Trilling described Frost as ‘terrifying’ — ‘my Frost is not the Frost I seem to perceive existing in the minds of so many of his admirers.’ Their Frost, he claimed, was a voice of ‘democratic simplicity.’

There is a kind of a crystalline simplicity to much of Frost’s work. ‘Stopping by Woods on a Snowy Evening,’ which he wrote in 1923 and later named as his own favorite poem, has a glowing, pristine quality, a snow-globe perfection… Yet it’s also, like so many holiday poems that aren’t explicitly for children, quite melancholy.

Those, like Trilling, who hold that their Frost is terrifying will have no trouble finding something to fear in it, in the cold dark forest that beckons as death might. Some were offended by Trilling’s remarks, but Frost wasn’t. ‘No sweeter music can come to my ears,’ he wrote in a letter, ‘than the clash of arms over my dead body,’ suggesting he wished to be misunderstood — or that there was no correct understanding of his work, because he had no stable intention.”

- Elisa Gabbert, New York Times, Dec 12, 2022 (NOTE: having studied Robert Frost for 51 years, I can attest that, "there was no correct understanding of his work, because he had no stable intention." If you'd like to dive to the bottom of that deep well, read about the true nature of parables in Amy-Jill Levine's amazing book, "Short Stories by Jesus.") – Roy H. Williams

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