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The Monday Morning Memo

Indy,

You asked about a short story less than 300 words. I created this one 2+ decades ago for a laugh among friends. It’s four words with no personal transformation in the narrative. However there is something that might be interesting to consider. Here’s my story:

Punch.
Bleed.
Sue.
Caymans.

On the surface this is just nonsense. The reality is that there is an inside joke nested in an inside joke. However there’s the bare minimum which just might a cause a reaction.

Who threw the punch and who received it? What is their background? What led to that escalation (why was there a blow to begin with?) How was it resolved? How did it change their lives? Was there really true resolution or some financial re-balancing between parties?

I submit it for consideration, not because its good writing. It’s not that. I submit it for the basic idea of questioning what constitutes a story. What are the necessary elements to convey an series of events that leads to some kind of resolution? At what point does writing go from unreachable to intriguing to expected?

No doubt that Wizard and/or Jeff Sexton will have the intelligent response. Should this land on their desk as “worthy”, it might shore up some questions I’ve had on the basic anatomical features of a story.

With respect….
–Ant

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Random Quote:

“It was a lovely Saturday afternoon in early May. Nell and I were just about to go to the farmer’s market with our canvas bags in hand when her mother, Peggy, called from the Upper East side. I handed Nell the telephone.

‘Hey, Mom. What’s up?’

‘Can you come uptown?’

‘When?’

‘Now.’

‘Right now?’

‘There’s something I need to discuss with you.’

Nell rolled her eyes for my benefit. The last time her mother had summoned her uptown because she needed to express her dissatisfaction with what Nell had worn to Ellie Houghton’s engagement party at the Colony Club. (Too black, too short, too zippery.)

A few months after that, it was to remind Nell of the importance of sending thank-you notes to aunts, even the ones who give you socks for your birthday.

Nell could have asked what was on her mother’s mind, but there would have been no point. If Peggy had decided to tell you something in person, you weren’t going to hear what it was until you were sitting face-to-face. And in the meantime, she’d be dwelling on it, becoming more dissatisfied, more convinced that some essential lesson of your upbringing had been carelessly disregarded. So, Nell and her sister had learned long ago that when Peggy had something to discuss, the sooner you discussed it, the better.

‘All right,’ said Nell, handing me her empty bag. ‘I’m on my way.’

 

 “

- Amor Towles, Table for Two, p. 107-108 "I Will Survive"

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